Opera Selection
| Philadelphia | I Puritani | Giorgio |
| Berlin, Deutsche Staatsoper | Tancredi | Orbazzano |
| München, Bayr. Staatsoper | Barbiere | Basilio |
| Prag, Spring Festival | Figaro | Figaro |
| München, Bayr. Staatsoper | Figaro | Figaro |
| Berlin, Deutsche Oper | Figaro | Figaro |
| Philadelphia | Don Giovanni | Don Giovanni |
| München, Bayr. Staatsoper | Cosi | Guglielmo |
| New York, MET | Zauberflöte | Papageno |
| Firenze, Maggio Musicale | Zauberflöte | Papageno |
| Dresden, Semperoper | Figaro | Figaro |
| Salzburg, Festspiele | Die Frau ohne Schatten | Der Ein�ige |
| Tokyo, NHK | Zauberflöte | Papageno |
| Berlin, Deutsche Staatsoper | Zauberflöte | Papageno |
| Buenos Aires, Teatro Colon | Zauberflöte | Papageno |
| Paris, Bastille | Figaro | Figaro |
| Salzburg, Osterfestspiele | Elektra | Orest (Cover) |
Concerts Selection
| Genova, Teatro Carlo Felice | Ödipus Rex | Kreon/Messenger |
| London, ital. Embassy | Concert for Venice in Peril | italian Arias |
| Geneve, Victoria Hall | Haydn | Theresien Messe |
| Venezia, La Fenice | Haydn | Nelson Mass |
| Venedig, Fondazione Cini | Konzert | Mozart Arias |
| Geneve, Victoria Hall | Mozart | c-moll Messe |
| Monte Carlo | Rossini | Arias |
| Roma, Santa Caecilia | Bartok | Cantata Profana |
| Linz, Bruckner Haus | Beethoven | 9. Symphonie |
| Venezia, San Marco | San Marco - 1000 years | Mozart, Malipiero |
| Lockenhaus, Festival | Schumann | Lieder |
| Wien, Konzerthaus | Schönberg | Serenade op. 24 |
| Nantes | Haydn | Die Schöpfung |
| Paris | Gouvy | Requiem |
Reviews
Giorgio, Philadelphia
"
The Leads turn in some very spirited singing and able acting, particularly Manfred Hemm as Giorgio and Gino Quilico as Riccardo, whose great duet steals the show
"
The Wharton Insider, 1995
"
Hemm and Quilico made the finale of Act 2 a reminder of how powerful that writing can be,
they charged the scene with energy and seemed to take energy from each other
"
The Philadelphia Inquirer,1995
"
was impressively honourable as Giorgio
"
Chestnut Hill Local, 1995
Orbazzano, Berlin
"
ein schlank geführter Bass von schönem Timbre und dazu viel Bühnenpräsenz
"
Orpheus, 1994
"
imponierender Bass
"
Neues Deutschland, 1994